The Well-Tempered Chocolatier

Entries categorized as ‘Miscellaneous’

Chocolate vocabulary lesson

September 21, 2009 · Leave a Comment

I throw a lot of terms around, like “bean-to-bar” and “confection,” and I’ve never really sat down and defined what I mean by those terms. I’ve defined three words: chocolate makers, chocolate blenders, and chocolate confectioners, to the best of my ability. I’ve also listed some of my favourites in each category. These are not exhaustive lists, and I know that I’ve forgotten (or simply don’t know about) some great stuff out there. If I’ve offended you…well, that’s just too bad.

Anyway. Here we go.

Chocolate makers

Also called bean-to-bar producers, chocolate makers actually make chocolate. They start with cacao beans and process them into the delectable thing that we know as chocolate. Typically, the chocolate comes in the form of chocolate bars, or chocolate pistoles (giant, flat chips). This chocolate is sometimes sold to consumers, while some is sold exclusively to industry folks.

Chocolate makers buy dried, fermented cocao beans from farmers, though their level of involvement in the growing, fermenting and drying process can vary. Some chocolate makers work very closely with farmers, while others deal exclusively with bean brokers and never meet the growers.

Chocolate makers are one part agricultural expert, one part production engineer, and one part artisan. They need to understand cacao (an agricultural product), be able to transform it through a series of steps (that’s the engineering part) and create something delicious, nuanced and distinctive at the end (definitely an artistic pursuit).

Some of my favourite small-batch producers: Amano Artisan Chocolate, Soma Chocolatemaker, Claudio Corallo, Theo Chocolate, and Askinosie Chocolate. I’ll also admit that I’m partial to working with Valrhona chocolate, thought they’re far from small-batch.

Chocolate blenders

Chocolate blenders don’t make chocolate, but they buy chocolate and blend it. This is less lame than it sounds. It’s not quite bean-to-bar, but there’s still a fine art to blending a chocolate mixture that is delicious and distinct. Think about an artist’s palette; while the colours come in a tube, the right mixture of colours can express something that stock colours can’t.

I don’t taste as much blended chocolate as I do bean-to-bar chocolate, but I was impressed with Chocolove’s 73% organic dark chocolate bar. You can read about it here.

Chocolate confectioners

Chocolate confectioners are what most people think of when you say chocolatier: someone who takes chocolate and creates bonbons, pralines and truffles. Way back when, the term chocolatier meant someone who took chocolate from bean to confection, but not anymore.

Chocolatiers don’t typically make their own chocolate. It’s partly economic, and partly because the two tasks are so very different. The equipment required is completely different, and it really doesn’t make sense to have the equipment to process chocolate and turn it into bonbons. (Two exceptions: Soma Chocolatemaker and Theo Chocolates are both bean-to-bar producers and chocolatiers.)

Quality confectioners work with quality ingredients: chocolate, but also with cream, sugar, spices, fruits, nuts, and liquor. Beware of fondant, corn syrup, or – to quote Michael Pollan – “anything your grandmother wouldn’t recognize.” The lack of preservatives in quality confections means that these treats have a limited shelf life: 3 weeks, at most.

There are a lot of folks out there masquerading as top-end chocolatiers. Some of them are pretty good – say, an 8 out of 10. And then, there are some whose attention to detail, flavour profiles and execution are all there. If you want to impress me, bring me something from Thomas Haas, Christopher Elbow, Norman Love, Kee’s Chocolates, Vosges, or La Maison du Chocolat.

P.S. Thomas Haas is opening a new location in Vancouver, next to Lumiere. Boss-man says that it’ll be open in mid-October. Wheee!

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A human s’more

August 28, 2009 · Leave a Comment

I love barbecues. There’s something about burnt food on a barbecue that tastes infinitely better than the food that I occasionally burn in my kitchen.

And marshmallows. I mean, really. Fire + marshmallow = nom nom sticky nom nom.

Except, of course, that you need to bring skewers or some sort of poky device in order to toast marshmallows. Which, sadly, I failed to do at last night’s barbecue. I ended up talking to the man behind the grill, who declined a marshmallow. He claimed that he had eaten too many as a kid and has been off them since. In fact, he claimed that he ate so many in one sitting that his head became a giant marshmallow and chocolate began to ooze out of his ears. And then someone put his head between two pieces of graham cracker and he became a human s’more.

I’m pretty sure that he was kidding, but man. I could kill for a s’more right now.

P.S. Did you know that there are four marshmallows in a serving. Four!

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Guilt-free chocolate (for real, now)

August 21, 2009 · Leave a Comment

I’m kind of partial to this post I wrote in response to Callebaut’s announcement of low-calorie, no-melt chocolate. I guess you could say I’m a chocolate purist. I’m also picky as hell – and yes, I do realize that it’s just my opinion and that you are welcome to yours. But, well, this is my blog and I’ll post whatever snarkiness I feel like, ya hear?

(Which is kind of funny in itself, because I’m infinitely nicer in this blog than I am in real life. Well-tempered? Some days.)

So in a time when everyone is concerned about where their food comes from, how does chocolate fit in? After all, the majority of cocoa is harvested using some form of slave or child labour. Egads. Never mind the calories (I’ve never been a fan of guilty calories, anyway) but moral guilt? Sure.

Well, that’s all the more reason to spend money on good chocolate. Chocolate that’s sourced ethically. Whether it’s fair trade, direct trade, organic, or whatever labels people have chosen to align themselves with, there are some companies out there who are working directly with farmers. I have grand plans of highlighting some of them over the next couple of weeks. Oh, what fun!

Why bother with artisan chocolate? Well, it means that the consumer can eat chocolate that’s been ethically sourced. Of course, that also means that you’re willing to pay a bit more for it – but the higher cost is some mixture of marketing, licensing (it ain’t cheap to get a fair trade label on a chocolate bar) and a reflection of the actual cost of producing food.

It’s about accountability. Since farmers are accountable to the chocolate buyer, the pickier the chocolate buyer is, the more care a farmer will take. The extra care is buoyed by the fact that the chocolate buyer pays more, and in most cases, works with the farmer to create better working conditions. It’s a win-win situation. And since the buyer has now invested time in purchasing the beans, you’d better believe that they’ll take extra care in processing the chocolate. They’ll baby the chocolate, take care to roast it to perfection (and not one second later), and follow every step to ensure that the consumer gets the best possible chocolate.

On a more holistic level, it means that you’re buying a product that was made with love. I’ve yet to meet anyone in the food business who is primarily driven by money. More often than not, choosing to work with food comes from a very primal place. You do it because you love it. You do it because you must.

And you can taste it in artisan chocolate. You can taste the hard work that the farmer put into it, the care that went into selecting the best beans, the attention to detail in every step of the processing. In all my talking with artisan chocolate makers, all of whom use slightly different processes, one common theme emerges: they unequivocally, absolutely love what they’re doing.

Contrast that with the mass chocolate market, where the goal is to make as much money as possible, with the cheapest ingredients possible. Farmers? Care? Love? What’s that? We’re talking about the bottom line, fillers, waxes and preservatives. And lots and lots of marketing so that the consumer can pay as little as possible for the lamest product possible.

And really, why? So that we can stuff our faces with a shadow of chocolate? No thanks.

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Eating with your eyes

August 10, 2009 · 1 Comment

They say that you eat with your eyes first. I’ve heard it before, most often from French chefs wearing tall hats. I really struggled with this in culinary school, because presentation is not my strong suit. Technical chops, sure. You could cut open my mousse cake and the layers would be of equal thickness, the gelee right in the middle, the sponge soaked all the way through.

But my presentation? Oh, it was passable, acceptable, competent. But I wasn’t about to win any awards for innovation or take-your-breath-away beauty. One of my classmates was a former architect, and everything that he presented was a work of edible art. His stuff really was too beautiful to eat.

I was speaking with a chocolatier friend of mine the other day about presentation. Her temperament is not what you expect from a chocolatier. In the spectrum of the culinary world, you have cuisiniers at one end: hot-tempered, chasing the adrenaline of fast-paced service, and working on a sweaty line. Then, you have pastry chefs: working in their own little corner of the kitchen, measuring and weighing ingredients diligently, and making fancy decorations on teeny tiny desserts. And then you have chocolatiers: strange folks with cold hands, who eschew ovens, forever coaxing and taming the beta crystal in cocoa butter.

Back to my friend. She’s lovely, but she – by her own admission – is not very patient. She doesn’t hand-dip her chocolates, because that’s just excruciatingly slow. She makes molded chocolates, which look fussy but which, if executed properly, will give you 24-36 identical chocolates in one fell swoop.

Her chocolates taste lovely. Her flavours are clear and bright, with subtle flavour profiles that develop as the ganache melts. They are not the fanciest looking chocolates. This summer, she went nuts and put a diagonal green stripe down a rectangular chocolate. I think it was a mint chocolate. They’re far from ugly, but they have a certain understated look. They say “hey, I may look simple, but I’m damn tasty inside. Try me.”

It’s like all her energy goes into the flavours, and whatever’s left goes into the presentation. I get that.

Compare that with some chocolatiers who use copious amounts of coloured cocoa butter to jazz up their chocolates. There are swirls and spatters galore. Sometimes – but not always – the insides are as delicious as the outsides promise. Sometimes, there’s too much decoration and all you can taste is the cocoa butter decoration. In a few (sad) cases, the chocolate is all talk and no walk: pretty, but tasteless (or worse, bad tasting).

So there’s the dilemma. In a perfect world, chocolates would look beautiful and taste amazing. In reality, there are few people who are up for that challenge.

Sure, I eat with my eyes first. If it looks like turd, I probably don’t want to eat it. (Except, of course, the cocoa-dusted truffle. It looks remarkably like turd, but I will still eat it.) But when all is said and done, I’m eating something. And if it doesn’t taste good, then what’s the point?

Here’s my take on it: if you’re going to go to the trouble of giving me a beautiful product, it had better taste like I’m expecting it to. Because it’s one thing to underpromise and overdeliver, which is what happens for an under-decorated chocolate. But to overpromise and underdeliver? That, in my books, is inexcusable. It’s the culinary equivalent of promising someone Fluevog and giving them Payless.

I bought a box of chocolates a few months ago that I was really looking forward to. The chocolates all had cute names and flowery descriptions. Too bad they didn’t live up to their marketing campaign. They missed some really fundamental details. The chocolate coating was too thick, distracting from the ganache. The hand-dipped chocolates had been sloppily laid down, so the bottom edges – the “feet,” as they’re called- were jagged and uneven. The chocolate that they used for dipping and for the ganache tasted strange and slightly waxy. The flavours were invisible or muddy, at best. At their worst, they were disgusting. One of them tasted like mothballs. I actually made a note that one tasted “ass-tastic.” It was so bad that I didn’t even finish the box. I took a perfunctory taste of each one, and then gave them to less discerning friends of mine – who also reported that they weren’t as good as they looked.

And you know, the thing with overpromising and underdelivering is that it’s entirely avoidable. If you can’t take an objective point of view and see that your product isn’t nearly as good as your marketing is, then you have a problem. Sure, you’ll fool some people – but you certainly won’t fool everyone.

Mothball-flavoured chocolate? No thank you.

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Chocolate on a stick

July 29, 2009 · Leave a Comment

Remember sports day in elementary school? A day of potato sack races, balancing eggs on spoons, and tying your leg to someone else’s and trying not to trip as you lumbered across a field? Yeah, sports day.

I have a distinct memory of burnt hot dogs and fudgesicles. It turns out that fudgesicles are not frozen fudge, but frozen pudding.

Egads! Frozen chocolate pudding? No wonder they were so delicious.

Think of the possibilities: butterscotchsicles, bananapuddingsicles…ricepuddingsicles? Erm, maybe not.

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